So how did “Ravenous” survive this tumult to become such a delectable stop-of-the-century treat? In a beautiful scenario of life imitating artwork, the film’s cast mutinied against Raja Gosnell, leaving actor Robert Carlyle with a taste for blood and the strength required to insist that Fox retain the services of his Regular collaborator Antonia Hen to take over behind the camera.
“Deep Cover” is many things at once, including a quasi-male love story between Russell and David, a heated denunciation of capitalism and American imperialism, and ultimately a bitter critique of policing’s impact on Black cops once Russell begins resorting to murderous underworld methods. At its core, however, Duke’s exquisitely neon-lit film — a hard-boiled style picture that’s carried by a banging hip-hop soundtrack, sees criminality in both the shadows plus the Solar, and keeps its unerring gaze focused to the intersection between noir and Blackness — is about the duality of identity more than anything else.
The premise alone is terrifying: Two 12-year-previous boys get abducted in broad daylight, tied up and taken into a creepy, remote house. For those who’re a boy mom—as I'm, of the son around the same age—that might just be enough to suit your needs, and you also gained’t to know any more about “The Boy Behind the Door.”
Don't dream it, just be it! This cult classic has cracked many a shell and opened many a closet door. While the legendary midnight screenings are postponed because with the pandemic, have your possess stay-at-home screening!
It’s hard to assume any of your ESPN’s “thirty for 30” sequence that define the fashionable sports documentary would have existed without Steve James’ seminal “Hoop Dreams,” a 5-year undertaking in which the filmmaker tracks the experiences of two African-American teens intent on joining the NBA.
“It don’t appear to be real… how he ain’t gonna never breathe again, ever… how he’s dead… plus the other a single as well… all on account of pullin’ a bring about.”
The LGBTQ Neighborhood has come a long way from the dark. For decades, when the lights went out in cinemas, movie screens were populated almost exclusively with heterosexual characters. When gay and lesbian characters showed up, it had been usually in the form of broad stereotypes providing short comedian reduction. There was no on-display representation of those from the community as normal people or as people fighting desperately for equality, even though that slowly started to alter after the Stonewall Riots of 1969.
Still, watching Carol’s life get torn apart by an invisible, malevolent power is discordantly streamsex soothing, as “Safe” maintains a cool and regular temperature many of the way through its nightmare of a third act. An unsettling tone thrums beneath the more in-camera sounds, an off-kilter hum similar to an air conditioner or white-sounds machine, that invites you to sink trancelike into the slow-boiling horror of everything.
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Mahamat-Saleh Haroun is among Africa’s greatest living filmmakers, and while he sets virtually all his films in his indigenous Chad, a number of others look at Africans struggling in France, where he has settled for most of his adult life.
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You might love it with the whip-clever screenplay, which won Callie Khouri an Academy Award. Or even for that chemistry between its two leads, because Susan Sarandon and Geena Davis couldn’t have been better cast as Louise, a jaded waitress and her friend Thelma, a naive housewife, whose worlds are turned upside down during a weekend girls’ trip when Louise fatally shoots a man trying to rape Thelma outside a dance moriah mills hall.
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As handsome and charming as George Clooney is, it’s hard to assume he would have been the star He's today if Soderbergh hadn’t unlocked the full depth of his persona with this role.